Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Revisiting these 1949 recordings I find the ‘precious’ pronunciation of the immediate postSecond World War D’Oyly Carte company one of...
Reviewed in issue 6/2002
This is a most unusual recording with its presentation of an organ mass by Andrea Gabrieli (1532/385). Gabrieli was one...
Reviewed in issue 3/2002
Issued originally in 1990 and 1991, both these discs represented an extension of repertory for Norrington and the London Classical...
Reviewed by Edward Greenfield in issue: 9/2000
Scarcely a month seems to go by without an important disc of Schumann song. This is the ninth volume in...
Reviewed by Alan Blyth in issue: 2/2005
Rubinstein's love affair with Spanish music, and indeed with all things Spanish, is well known; and this programme presents him...
Reviewed by Lionel Salter in issue: 9/1993
This unusual coupling (the First Concerto with the Third in Taneyev’s exotic completion) provides a special interest. But above and...
Reviewed by Bryce Morrison in issue: 6/2004
Few pianists have recorded a more enterprising or vibrant repertoire than Joanna MacGregor, with the stress on continuities as well...
Reviewed by Bryce Morrison in issue: 10/1996
If an artist’s name is prefaced with an academic qualification on a disc cover (Dr or Prof So-and-so) it’s a...
Reviewed by Jeremy Nicholas in issue: 13/2008
Although Eduard Tubin is best known for his symphonies (all ten are available on BIS), he also wrote a...
Reviewed by Robert Layton in issue: 1/1993
This is Bryden Thomson's finest contribution yet to the Chandos Walton series, helped by fuller, more detailed recording than on...
Reviewed by Edward Greenfield in issue: 7/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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