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Review of Susan Bullock: Songs My Father Taught Me

Susan Bullock: Songs My Father Taught Me

The gender-switch in this common title is significant. The homey passing-on tradition, suggested by the many ‘Songs My Mother Taught...

Reviewed by David Patrick Stearns in issue: 10/2024

Review of The Madrigal Reimagined

The Madrigal Reimagined

It didn’t take long for the madrigal to become a vehicle for all manner of experimentation – reworkings of texts...

Reviewed by Fabrice Fitch in issue: 10/2024

Review of Bach's Roots. Early Influences on the Young Master

Bach's Roots. Early Influences on the Young Master

Investigations on record of Bach’s immediate central-German precursors have often relied on content from composers actually related to him, especially...

Reviewed by Lindsay Kemp in issue: 10/2024

Review of Donna Barbara - Songs of Barbara Strozzi

Donna Barbara - Songs of Barbara Strozzi

Barbara Strozzi accompanied herself on the lute at various Venetian academies, so there is something to be said for present-day...

Reviewed by David Vickers in issue: 10/2024

Review of STRADELLA Ester (Vinkour)

STRADELLA Ester (Vinkour)

Ester, liberatrice del popolo Ebreo was probably written in the early 1670s for one of Rome’s confraternities that sponsored Lenten...

Reviewed by David Vickers in issue: 10/2024

Review of STANFORD Partsongs, Pastorals and Folksongs

STANFORD Partsongs, Pastorals and Folksongs

These artists have already served notice of their commitment to this exquisitely wrought repertoire with an uncommonly beautiful recording (10/23)...

Reviewed by Andrew Achenbach in issue: 10/2024

Review of SCHUBERT Die schöne Müllerin (Julian Prégardien)

SCHUBERT Die schöne Müllerin (Julian Prégardien)

A child of the 18th century, Schubert’s first interpreter, the baritone Johann Michael Vogl, would routinely subject melodic lines to...

Reviewed by Richard Wigmore in issue: 10/2024

Review of RODGERS & HAMMERSTEIN Carousel

RODGERS & HAMMERSTEIN Carousel

It’s the best kind of logic – follow Rodgers and Hammerstein’s first Broadway show Oklahoma! with their second. This again...

Reviewed by Edward Seckerson in issue: 10/2024

Review of PARRY I Was Glad

PARRY I Was Glad

Although Parry is often thought of as a composer of Anglican church music, he did in fact write very little...

Reviewed by Jeremy Dibble in issue: 10/2024

Review of HAYDN Seven Last Words (Helen Kearns)

HAYDN Seven Last Words (Helen Kearns)

I didn’t ‘get’ this touched-up version of the Seven Last Words when I first heard it courtesy of the Henschel...

Reviewed by Richard Wigmore in issue: 10/2024


 

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