Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
The gender-switch in this common title is significant. The homey passing-on tradition, suggested by the many ‘Songs My Mother Taught...
Reviewed by David Patrick Stearns in issue: 10/2024
It didn’t take long for the madrigal to become a vehicle for all manner of experimentation – reworkings of texts...
Reviewed by Fabrice Fitch in issue: 10/2024
Investigations on record of Bach’s immediate central-German precursors have often relied on content from composers actually related to him, especially...
Reviewed by Lindsay Kemp in issue: 10/2024
Barbara Strozzi accompanied herself on the lute at various Venetian academies, so there is something to be said for present-day...
Reviewed by David Vickers in issue: 10/2024
Ester, liberatrice del popolo Ebreo was probably written in the early 1670s for one of Rome’s confraternities that sponsored Lenten...
Reviewed by David Vickers in issue: 10/2024
These artists have already served notice of their commitment to this exquisitely wrought repertoire with an uncommonly beautiful recording (10/23)...
Reviewed by Andrew Achenbach in issue: 10/2024
A child of the 18th century, Schubert’s first interpreter, the baritone Johann Michael Vogl, would routinely subject melodic lines to...
Reviewed by Richard Wigmore in issue: 10/2024
It’s the best kind of logic – follow Rodgers and Hammerstein’s first Broadway show Oklahoma! with their second. This again...
Reviewed by Edward Seckerson in issue: 10/2024
Although Parry is often thought of as a composer of Anglican church music, he did in fact write very little...
Reviewed by Jeremy Dibble in issue: 10/2024
I didn’t ‘get’ this touched-up version of the Seven Last Words when I first heard it courtesy of the Henschel...
Reviewed by Richard Wigmore in issue: 10/2024
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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