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Review of SIMON Four Symphonic Works (Noseda)

SIMON Four Symphonic Works (Noseda)

I reviewed this recording of Carlos Simon’s Tales: A Folklore Symphony (2021) when Noseda and the NSO released it as...

Reviewed by Andrew Farach-Colton in issue: AW2024

Review of Exodus: Kaufmann, Rubin, Tal

Exodus: Kaufmann, Rubin, Tal

The diaspora of Jewish composers from Hitler’s Reich was wider and deeper than just to the USA (eg Korngold, Schoenberg,...

Reviewed by Guy Rickards in issue: AW2024

Review of POHJOLA String Quartets Nos 5-7 (New Helsinki Quartet)

POHJOLA String Quartets Nos 5-7 (New Helsinki Quartet)

Seppo Pohjola (b1965) is one of the most undeservedly underexposed composers alive and one whose music, never incidental, is always...

Reviewed by Andrew Mellor in issue: 12/23

Review of WAGNER Parsifal (Heras-Casado)

WAGNER Parsifal (Heras-Casado)

While Wagner’s final opera traditionally commands the best from the greatest musicians of any era, the visual presentation of Parsifal...

Reviewed by David Patrick Stearns in issue: 10/2024

Review of VERDI 'Noble Renegades: Scenes and Arias'

VERDI 'Noble Renegades: Scenes and Arias'

Noble renegades? Here, they’re often simply loud. Charles Castronovo – featured on some 25 recordings and DVDs over the 20...

Reviewed by David Patrick Stearns in issue: 10/2024

Review of VERDI Aida (Pappano)

VERDI Aida (Pappano)

Robert Carsen’s Covent Garden staging of Aida, filmed during its opening run in October 2022, essentially dispenses with Egypt and...

Reviewed by Tim Ashley in issue: 10/2024

Review of SCHMIDT Fredigundis (Märzendorfer)

SCHMIDT Fredigundis (Märzendorfer)

Franz Schmidt’s Fredigundis remains best known for having been an abject failure, its 1922 premiere in Berlin followed by three...

Reviewed by Richard Whitehouse in issue: 10/2024

Review of PENDERECKI Paradise Lost (Janiak)

PENDERECKI Paradise Lost (Janiak)

Penderecki’s Paradise Lost, based on the epic poem by Milton, was commissioned by the Lyric Opera of Chicago for the...

Reviewed by Christian Hoskins in issue: 10/2024

Review of MOZART Don Giovanni (Jarry)

MOZART Don Giovanni (Jarry)

Don Giovanni has become such a focus for directorial intervention of late that playing the work straight and in period...

Reviewed by Tim Ashley in issue: 10/2024

Review of BERNASCONI L'Huomo (Oberlinger)

BERNASCONI L'Huomo (Oberlinger)

Andrea Bernasconi was maestro di coro at Venice’s Ospedale della Pietà (1744 53) until he was recruited by Elector Maximilian...

Reviewed by David Vickers in issue: 10/2024


 

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