Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Tchaikovsky's Third Quartet is a difficult work to play, and to record. Written in memory of Ferdinand Laub, the Bohemian...
Reviewed by John Warrack in issue: 6/1993
Tippett’s choral music makes for a heterogeneous collection on disc: just the sort of programme you would never expect to...
Reviewed by Arnold Whittall in issue: 5/2007
Schutz's sacred histories are very difficult to make convincing. The reason must surely be (inspite of the sleeve-note of the...
Reviewed in issue 5/1985
Any opera company in the world would think themselves fortunate to assemble this cast for a production of Ariadne; indeed...
Reviewed in issue 13/2001
The most readily distinguishing feature of this second new Yeoman within the year is the inclusion of dialogue for the...
Reviewed by Andrew Lamb in issue: 11/1993
All three performances have appeared before but their recoupling is welcome and logical. The Rhapsody-Concerto is one of the most...
Reviewed by Robert Layton in issue: 9/1992
Just turned 51, Aaron Jay Kernis is now well established among the middle generation of American composers, though his music...
Reviewed by Richard_Whitehouse in issue: 5/2011
This is without question the most thrilling Wagner disc to appear in years. Bleeding chunks have had a bad press,...
Reviewed by Alan Blyth in issue: 8/1997
The Alexandra Palace organ seems to have been pretty well doomed from the start. When these recordings were made it...
Reviewed by Marc Rochester in issue: 9/1994
Listening to this recital I felt as though I were a guest at a sumptuous banquet. The menu, with its...
Reviewed by Jeremy Nicholas in issue: 5/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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