Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Andrea Gabrieli, uncle of the more prodigious Giovanni, was a seasoned pragmatist and had his fingers in all the prevailing...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1999
There are composers who get a second wind late in their career – and then there’s Elliott Carter. Late bloomers...
Reviewed by K Smith in issue: 4/2006
Despite the fact that a CD consisting of two ensemble pieces bookending six assorted compositions for solo wind instruments might...
Reviewed by rthomas in issue: 4/2000
Rakos Rakoczy was subtitled “Scenes from Moravian Slovakia”, and is really hardly more than a collection of folk dances and...
Reviewed by John Warrack in issue: 4/1997
Henry Desmarest is still a scarcely recorded composer, but Les Arts Florissants’ recent account of three of his grands motets...
Reviewed by Lindsay Kemp in issue: 3/2001
Of the family Fasch, Johann Friedrich is the dominant figure and one who continues to establish himself as an increasingly...
Reviewed by Jonathan Freeman-Attwood in issue: 6/2009
This is the last of the Lindsay late Beethoven quartets to appear in single CD format and these lines are...
Reviewed by Robert Layton in issue: 2/1990
Born in 1922, Lukas Foss has a composing career stretching back over 70 years to his pre-teens in Weimar Germany,...
Reviewed by Guy Rickards in issue: 6/2005
As the last century drew to a close, Tavener became strongly attracted to the works of the late Swiss philosopher...
Reviewed by bwitherden in issue: 12/2005
EMI's new recital series, Virtuosi, celebrates outstanding British soloists of which this presentation of John Wallace is the fourth to...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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