Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With 'authentic' Vivaldi played by so many early-music groups these days, it makes an agreeable change to hear the rich...
Reviewed in issue 5/1986
Even those who have never been to Drottningholm and experienced Arnold Ostman's Mozart in the flesh will know exactly what...
Reviewed by hfinch in issue: 12/1990
The first quality of this performance that strikes one is its liveness, as revealed in the warmth of the rubato...
Reviewed by Edward Greenfield in issue: 11/2010
Hanns Eisler survived until 1962 and died an East German which makes him less of a cause celebre (and less...
Reviewed in issue 1/1997
It is encouraging that EMI are gradually transferring some of Barbirolli's finest recorded performances to CD—when may we expect Gerontius...
Reviewed in issue 12/1988
Don’t be put off by the dreadful photograph on the front! I’ve nothing against the Blue Bells of 1952, but...
Reviewed in issue 7/2001
With the deletion of Rozhdestvensky’s gritty but compelling version (Olympia, 8/88 – nla), there is space in the market for...
Reviewed in issue 6/1996
I suppose it is the 1914 War that is the unnamed, ever-felt presence here. “I float this carol with joy,...
Reviewed in issue 6/1996
This production of Forza was presented to much acclaim during the Karajan era at the Vienna State Opera. Mitropoulos, who...
Reviewed by Alan Blyth in issue: 2/2007
Every recital disc seems to need a catchy title these days. The promise of “Love’s Sweet Surrender” may attract extra...
Reviewed in issue 13/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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