Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Michael Hampe’s austere staging for the 1993 Schwetzingen Festival goes to the heart of the matter. The decor is abstract...
Reviewed in issue 9/2001
The CD version of this strikes me as a very great improvement, its sound at once closer, clearer and brighter...
Reviewed by Joan Chissell in issue: 5/1986
Martinu's Concerto is in many ways a frustrating work. He was a brilliant craftsman, and an enterprising one. In the...
Reviewed by John Warrack in issue: 12/1992
A fascinating selection: two not quite mature pieces from the 1920s, and three completely characteristic utterances from the post-war years....
Reviewed by Stephen Johnson in issue: 4/1988
Roy Howat’s two-disc tribute to Fauré complements his recent book, The Art of French Piano Music (Yale, 10/09), and includes...
Reviewed by Bryce Morrison in issue: 12/2009
The Concertino and Capriccio are among Janacek's last works, dating from 1925 and 1926, and also among his least compromising...
Reviewed by John Warrack in issue: 5/1991
The Tallis Scholars' latest recording presents a Mass-setting and a handful of carefully-chosen motets by Heinrich Isaac, a composer, as...
Reviewed by Tess Knighton in issue: 10/1991
The three works in Naxos's latest issue of Schubert's solo piano music show the remarkable relationship between thematic coherence, formal...
Reviewed in issue 3/1995
The most striking features of Isabelle Faust’s Gramophone Award-winning first Bartok CD for Harmonia Mundi (3/97) were an empathetic spirit...
Reviewed by Rob Cowan in issue: 9/2000
Giovanni Adolfo Hasse (as the Hamburger came to call himself) went to Italy at the age of about 22. In...
Reviewed by David Vickers in issue: 4/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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