Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The 90-minute film of One11 was the major project of Cage’s final years and was completed just three months before...
Reviewed by Peter Dickinson in issue: 4/2007
At the start, this performance of the Triple Concerto augurs well; the conductor Edmon Colomer gives us the expositional material...
Reviewed by Christopher Headington in issue: 10/1989
In assessing a programme such as this, the first point to consider is the level of technical proficiency on offer,...
Reviewed in issue 7/2001
Certain creators and re-creators become synonymous. Beethoven and Schnabel, Chopin and Rubinstein at once spring to mind. Yet in the...
Reviewed by Bryce Morrison in issue: 6/1996
I don’t know who to pity more: the budding maestro who hears this Beethoven Fifth before attempting to conduct the...
Reviewed in issue 2/2002
Though considered long after his death in 1746 as one of the ''most considerable keyboard players of his time'', we...
Reviewed by Nicholas Anderson in issue: 7/1993
With the world in its present state it may not seem appropriate to refer to this as a disasterarea‚ and...
Reviewed in issue 3/2002
I cannot think of a better advocate of Hugo Wolf than this deeply satisfying recital of the best of the...
Reviewed by Alan Blyth in issue: 13/2003
This is an enterprising release of an unknown American symphony. In 1930 music historian John Tasker Howard called John Powell...
Reviewed by Peter Dickinson in issue: 4/2004
If you have a particular interest in the more obscure byways of neo-classicism the music of Werner Egk (1901-83) might...
Reviewed by Arnold Whittall in issue: 9/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.