Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Over the years I have reviewed various recordings of German's orchestral music, from reissues of the composer's own acoustic recordings...
Reviewed by Andrew Lamb in issue: 11/1995
Rachmaninov’s Symphonic Dances are played with great sharpness here, emphasizing the extraordinary originality of his last completed work and serving...
Reviewed by John Warrack in issue: 1/1996
An extensive analytical note occupies some 20 pages of the booklet which comes with this disc. While one would have...
Reviewed by Marc Rochester in issue: 4/2011
Here is Chopin with a difference, a three-disc set that will whet the appetite of even the most jaded scholar...
Reviewed by Bryce Morrison in issue: 2/2000
Gary Cooper and Rachel Podger’s projected set of the Mozart duo sonatas (of which this is the second volume) will...
Reviewed by DuncanDruce in issue: 2/2006
Although he died at the relatively early age of 39, Frantisek Xaver Brixi became one of the best-known and most...
Reviewed by Marc Rochester in issue: 9/1992
''Turn again, Whittington'', as the off-stage voice used to command in those old pantomimes; and cat and future Lord Mayor...
Reviewed in issue 12/1990
This is a perceptively played and admirably recorded performance of two substantial piano works by William Alwyn, who died last...
Reviewed in issue 7/1986
As might be expected, there are no other locally available versions of the two Scandinavian works and although there are...
Reviewed in issue 10/1983
Michael Daugherty’s pieces invariably promise more than they deliver. The titles are funky, provocative (his fixation on popular American icons...
Reviewed by Edward Seckerson in issue: 10/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.