Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sir Andrew Davis’s Vaughan Williams symphony cycle for Teldec may not have always found favour in these pages, the exception...
Reviewed by Andrew Achenbach in issue: 5/2003
Though the dainty Notturno receives its first recording as part of this intriguing collection of less-recorded Schoenbergiana, the more stimulating...
Reviewed by Peter Quantrill in issue: 4/2010
Considering he held the post of organist at St Luke's, Chelsea for over 20 years and professed the greatest love...
Reviewed by Marc Rochester in issue: 5/1991
Collecting historic recordings can be an immensely rewarding experience. I am still reeling from the impact of my initial comparison:...
Reviewed by David Gutman in issue: 4/2000
Argo's press statement lays out its credo thus: ''to challenge and to stimulate, to entertain and even to educate'' and...
Reviewed by Michael Stewart in issue: 12/1990
It may seem odd to observe that Ligeti’s quartets have been a part of the ‘canon’ for some time; the...
Reviewed by Fabrice Fitch in issue: 3/2001
The cycles of Schubert seem a continuing magnet for any tenor or baritone with pretensions in the Lieder field, Schmidt...
Reviewed by Alan Blyth in issue: 12/1992
One would think one could listen to Miklós Rózsa’s concert music without dragging Hollywood into it, but not until three-quarters...
Reviewed by K Smith in issue: 13/2005
The cover of this record gives pride of place to John Alden Carpenter's ballet score Skyscrapers and it's Skyscrapers that...
Reviewed in issue 11/1988
In his notes to this recording, the conductor Reinhard Goebel draws attention to the final item, the cantata Il pianto...
Reviewed in issue 7/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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