Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This new Decca version of Swan Lake is an absolutely complete recording of Tchaikovsky's original score, but including also the...
Reviewed by Ivan March in issue: 2/1993
Many composers retain something of childhood's sense of wonder, and several have written sets of pieces for, or about, children....
Reviewed by Christopher Headington in issue: 7/1993
The Chandos Parry series, conducted by Matthias Bamert, here brings us two almost totally unknown choral works—wisely not the oratorios...
Reviewed in issue 1/1992
The Milan premiere of Lucio Silla, on Boxing Day 1772, was a near-fiasco: ham acting from the last-minute tenor and...
Reviewed by Richard Wigmore in issue: 13/2009
Alban Berg described the first movement of Mahler’s Ninth Symphony as “permeated by the premonition of death”. In this cleanly...
Reviewed by Andrew Farach-Colton in issue: 6/2007
This richly inclusive recital examines Liszt’s genius from every multifaceted angle. Whether you are hypnotized by the strange hallucinatory light...
Reviewed by Bryce Morrison in issue: 4/1997
The above heading says it all. Umpteen pretty pieces shorn from their context so that Handel's birthday is not celebrated...
Reviewed in issue 5/1985
There is great cheering in the Liceu at the close of this Otello and particularly for the Otello himself. But...
Reviewed by John Steane in issue: 4/2007
There is a sufficient variety of recordings of the Brandenburgs currently available to suit most tastes; yet there are always...
Reviewed by Nicholas Anderson in issue: 11/1999
Bernstein’s Brahms gets off to an unlikely start. He continues to bow to the audience long after it has ceased...
Reviewed by Peter Quantrill in issue: 9/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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