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Review of Schütz Symphoniae Sacrae II

Schütz Symphoniae Sacrae II

Of Schutz’s three volumes entitled Symphoniae sacrae dating from between 1629 and 1650, this is the second complete recording of...

Reviewed by Jonathan Freeman-Attwood in issue: 12/1997

Review of Verdi Don Carlos

Verdi Don Carlos

Luc Bondy’s staging of the five-act French version of Verdi’s masterpiece (already on CD; EMI, 10/96) received mixed reviews when...

Reviewed in issue 3/1997

Review of Chopin Piano Works

Chopin Piano Works

While it would be idle to pretend that Dame Moura Lympany still commands her former light-fingered grace and brilliance, her...

Reviewed by Bryce Morrison in issue: 2/1996

Review of Balfe (The) Maid of Artois

Balfe (The) Maid of Artois

Even with The Bohemian Girl available complete from Decca (8/92R), excerpts on Classics for Pleasure, and a clutch of numbers...

Reviewed by Andrew Lamb in issue: 3/2006

Review of Gershwin Porgy & Bess

Gershwin Porgy & Bess

After the 1935 Broadway first night of Porgy and Bess, George Gershwin presented part of the autograph score to the...

Reviewed by Patrick O'Connor in issue: 12/2006

Review of Brahms Piano Concerto No.2

Brahms Piano Concerto No.2

I suspect there are many people who will want this new recording of Brahms's B flat Piano Concerto as a...

Reviewed by Richard Osborne in issue: 6/1992

Review of Verdi Aida

Verdi Aida

This set has always stood – unjustly – in the shadows of its supposedly more classy HMV counterpart (with Giannini...

Reviewed by Alan Blyth in issue: 4/1996

Review of Albinoni 12 Concertos, Op. 9

Albinoni 12 Concertos, Op. 9

For consistently amiable, if undemanding entertainment, Albinoni’s concertos, with or without oboe, or oboes, are hard to beat. Christopher Hogwood...

Reviewed by Nicholas Anderson in issue: 10/1999

Review of Martinu Greek Passion

Martinu Greek Passion

When this Bregenz Festival production of The Greek Passion was re-staged by the Royal Opera a few months ago it...

Reviewed by Michael Oliver in issue: 10/2000

Review of Verdi Rigoletto

Verdi Rigoletto

First we must salute the 64-year-old Leo Nucci’s Rigoletto. Visually, the pathetic figure with the haunted, apprehensive expression will prove...

Reviewed by John Steane in issue: 3/2008


 

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