I cannot think of a better advocate of Hugo Wolf than this deeply satisfying recital of the best of the Mörike Lieder by Roman Trekel, now at the peak of his career as a Lieder interpreter. These inspired songs need, above all, the kind of intense expression and intimate, detailed treatment that Trekel so comprehensively brings to them. Performed as convincingly as they are here, they offer a particular frisson of individual accent that no other composer in the genre, whatever their other merits, quite equals: words and music seem as though they were written at one and the same time.

To achieve his interpretative ends, Trekel achieves an ideal fusion of tonal security (the singing as such is most beautiful), sense of line and word-painting. In a comparatively long and complex Lied such as ‘Im Frühling’, he and the admirable Oliver Pohl traverse all the points of the expressive compass, and all the nuances of dynamics that belong to them. In that surpassingly sincere and beautiful love-song ‘An die Geliebte’ they build to the climax from ‘Von Tiefe dann zu Tiefen’ with a confidence that bespeaks long familiarity with the piece.

Even better is the heartache they bring to ‘Peregrina II’ and ‘Lebe wohl’, where Wolf seems to enter into all the poet’s suffering at the hands of a beloved. They also find the inner spirituality of the religion-inspired settings, such as ‘Auf ein altes Bild’ and ‘Denk’ es o Seele’, the latter so compelling for saying so much in such a short time. In a quite different vein, they rise marvellously to the frenzied melodrama of ‘Der Feuerreiter’, always a challenge to singer and pianist and one that is here surely met.

A truthful recording adds to the disc’s merits. Not so the notes, which omit any exposition of the songs and also English translations. Even so, this is a recital that ought to convert even Wolf heretics to the cause.