Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mikhail Pletnev sets the young Beethoven fairly and squarely before us in the opening movement of the young tearaway’s first...
Reviewed by Richard Osborne in issue: 13/2007
While he may be less a born symphonist than having had symphonism thrust upon him, Carl Vine made a sizeable...
Reviewed by Richard Whitehouse in issue: 4/2006
Many music lovers will not have been exposed to much of Frank Martin’s music, and that includes me. So I...
Reviewed by Ivan March in issue: 4/2008
Arne Nordheim composed his single-movement cello concerto Tenebrae (''Shadows'') in 1982. The commission—from Rostropovich—prompted him to compose a series of...
Reviewed in issue 12/1992
Commissioned by the New York downtown composers’ collective Bang on a Can for their People’s Commissioning Fund Concert in 2000,...
Reviewed by bwitherden in issue: 4/2003
Five producers‚ three conductors and five different recording venues were used for this collection of popular songs from ‘as many...
Reviewed in issue 3/2002
It clearly made sense to combine these two recordings. The two original issues were each rather slim value, since they...
Reviewed by John Warrack in issue: 2/1988
Sir Andrew Davis’s first recording for Chandos brings this extravagantly enjoyable resuscitation of The Crown of India, an “Imperial Masque...
Reviewed by Andrew Achenbach in issue: 1/2010
I wonder if Mauricio Kagel knew Flanders and Swann’s “I’m a Gnu”? I only raise the possibility because the seventh...
Reviewed by Philip_Clark in issue: 7/2009
None of these songs was originally conceived in terms of the orchestra, though in rescoring the more familiar piano versions...
Reviewed by Stephen Johnson in issue: 7/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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