Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Those who grew up during the war years will remember this account of the Fifth Symphony with particular affection. True,...
Reviewed by Robert Layton in issue: 12/1995
In spite of the undoubted excellence of the recorded sound, I was not unreservedly enthusiastic about the last issue in...
Reviewed by Robert Layton in issue: 8/1984
This disc explores Mendelssohn's choral writing in some depth, in particular his endlessly varied use of texture, the accent here...
Reviewed by mberry in issue: 4/1990
If ever one wanted to call this opera ''Baron Ochs'' this would be the occasion for, more than any of...
Reviewed by Alan Blyth in issue: 6/1994
Probing modern productions of bel canto operas are not yet common on DVD. Like the late Jean-Pierre Ponnelle, Tunisian-born director...
Reviewed by Mike Ashman in issue: 5/2011
Some Soviet analysts used to make great claims for these unfairly neglected scores. They may have been influenced by the...
Reviewed in issue 5/1993
There is much to be moved by on this disc, not just for sentimental reasons. With proceeds going towards ''Classical...
Reviewed by Edward Greenfield in issue: 7/1994
These are two of the last recordings the 95yearold Stokowski made in London (the Bizet Symphony was to follow) in...
Reviewed by Ivan March in issue: 7/2002
At less than 38 minutes, this is a paltry disc indeed. On the other hand I find almost 38 minutes...
Reviewed by Marc Rochester in issue: 4/2000
Outstanding here is the Elgar, perhaps because it is the one romantic composition in an essentially classical programme: for whatever...
Reviewed in issue 9/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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