Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
To what extent should Western interpreters seek to emulate the characteristics of the Soviet orchestras of Shostakovich’s day – the...
Reviewed in issue 9/1997
To such an extent is his name associated with the organ, to whose literature he made notable contributions, that it...
Reviewed by Lionel Salter in issue: 5/1991
This record was complete before Schuman died last February. He heard some of it on a cassette and wrote: ''The...
Reviewed by Peter Dickinson in issue: 7/1993
Four small-scale but by no means trivial works here complement the three volumes of Tansman’s numbered symphonies in Chandos’s valuable...
Reviewed by David Fanning in issue: 3/2010
Stanford wrote the first two of his eight string quartets within just six weeks during the late summer of 1891...
Reviewed by Andrew Achenbach in issue: 5/2005
Keiser is chiefly remembered for his influence on Handel; but he was also rather a good composer himself. He directed...
Reviewed in issue 10/2001
This disc is named after the negative-sounding title of Marc André’s ni (an abbreviation of “nach innen” – “towards the...
Reviewed by Fabrice Fitch in issue: 4/2011
Most recordings of the quintet fit only the first three movements on to the first side. This new one accommodates...
Reviewed in issue 9/1984
If Max Reger's reputation as an impenetrably contrapuntal heavyweight continues to defy critical justification, this disc—and quite a few like...
Reviewed in issue 8/1994
Since Ostrovsky has virtually no following in the West, the music Tchaikovsky wrote for his play has languished, which is...
Reviewed by John Warrack in issue: 3/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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