Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Decca recording of La forza del destino, made in Rome in the summer of 1955, has always had a...
Reviewed by Richard Osborne in issue: 1/1989
Gone are the days when the Dvorak Violin Concerto was neglected on disc. Among the 20-odd rival recordings listed in...
Reviewed by Edward Greenfield in issue: 4/1995
Given his distinction in the musical world, Henri Dutilleux has meagre representation in the LP catalogue and none of Compact...
Reviewed by Robert Layton in issue: 3/1987
These 1975 recordings of orchestral works by Frank Bridge are, I suspect, treasured favourites of many Gramophone readers. They were...
Reviewed in issue 7/1989
Like a multi-decker sandwich, this record alternates thick slices of Arvo Part's early work with the refined elegance of his...
Reviewed in issue 6/1993
This ASV release is the most attractive Rimsky-Korsakov disc to arrive for many a year, and very generous, too. We...
Reviewed by Ivan March in issue: 9/1992
This is Mahler’s Tenth but not as we know it: Andrew Litton’s new recording is of the completion by US...
Reviewed by David Gutman in issue: 4/2003
It's a bit daft of Erato to label this disc ''Unpublished sonatas'' when the publishers of eight of the present...
Reviewed by Lionel Salter in issue: 10/1994
After several interpretations that have thrown a new, dramatic light on this familiar oratorio, we return here to a more...
Reviewed by Alan Blyth in issue: 1/1996
Readers who feel this Warner Music/NVC Arts issue looks familiar are referred to my ‘Singertalk’ article in May last year...
Reviewed by ssteptoe in issue: 2/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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