Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These two suites of airs de ballet from Rameau's Dardanus and Les Indes galantes were recorded during the 1960s when...
Reviewed by Nicholas Anderson in issue: 8/1993
Tchaikovsky’s Piano Trio is a masterpiece of the genre. The finest modern recording has been on BIS with Freddy Kempf...
Reviewed by Ivan March in issue: 11/2008
Feuermann's early death in 1942 at the age of 39 was undoubtedly a severe blow to the world of music....
Reviewed in issue 5/1992
This recording of L'italiana in Algeri was made in the Teatro de la Pergola, Florence in the summer of 1963....
Reviewed by Richard Osborne in issue: 7/1989
Simpson composed his first three quartets between 1951 and 1954. On the occasion of their performance at the Arts Council...
Reviewed in issue 9/1998
'Still adored by many as the greatest female singer of the 20th century.' So says the introductory note, and the...
Reviewed by John Steane in issue: 11/2002
With its promised sequel, this fourth volume is an important extension of the Mendelssohn Song Edition, which may have been...
Reviewed by John Steane in issue: 13/2009
This is exceedingly welcome and an exciting follow-up to Pesek's superb account of Suk's Asrael Symphony from a couple of...
Reviewed by Andrew Achenbach in issue: 1/1994
The music of Ephrem Podgaits (b.1949) is new to me, but on the evidence of his Missa Veris (“Spring Mass”)...
Reviewed in issue 9/1998
Angela Lear’s scholarly enterprise leads her to a fruitful and provocative quest concerning the composer’s precise intentions. At her best...
Reviewed by Bryce Morrison in issue: 7/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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