Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The role of Leicester in this opera must be dramatically one of the most ineffectual in the tenor repertoire; he...
Reviewed by John Steane in issue: 4/2003
Since my only reservation about this excellent recital is a minor one, I'd better get it out of the way...
Reviewed by Michael Oliver in issue: 4/1990
An upbeat Brahms Lieder recital is doubtless a contradiction in terms. But, as in the first volume of Hyperion’s latest...
Reviewed by Richard Wigmore in issue: 6/2011
The prime attraction for many here will be English soprano-of-the-moment Kate Royal in the popular Eichendorff Liederkreis, dubbed by the...
Reviewed by Richard Wigmore in issue: 1/2008
Stephen Kovacevich's new EMI recording of Brahms's D minor Piano Concerto with the LPO under Wolfgang Sawallisch strikes me as...
Reviewed by Richard Osborne in issue: 10/1992
Here’s further proof that Pietari Inkinen is a young conductor with confidence and talent to spare. As on this partnership’s...
Reviewed by Andrew Achenbach in issue: 2/2009
A cleanly executed reading of classical proportions. Intelligently conceived, too—Slatkin does vary the tempos in the first movement, but not...
Reviewed by John Steane in issue: 6/1990
Don’t let the low opus number hoodwink you: Cassazione in fact dates from 1904 and was first given under Sibelius’s...
Reviewed by Andrew Achenbach in issue: 11/2000
Here is yet another ex-‘non’-Soviet symphonist who if nothing else has a distinctive character profile. Alemdar Karamanov was born in...
Reviewed in issue 12/1996
Les Heures Persanes (‘The Persian hours’) evokes a two-month journey through Persia in 1900, but not by Koechlin (who never...
Reviewed by Ivan March in issue: 7/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.