Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With speeds fast but never breathless and with the most vivid recording yet given to this favourite symphony, this is...
Reviewed by Edward Greenfield in issue: 3/1985
Hamish Milne’s distinguished Medtner cycle commenced in 1977 but has recently taken wing‚ with this ninth volume quickly following Volume...
Reviewed in issue 13/2001
Reviewed by kYlzrO1BaC7A in issue: 3/1997
Alfred Schnittke's Third String Quartet, one of his most absorbing works, is a meditation on how a composer of today...
Reviewed by Michael Oliver in issue: 4/1990
With numerous Mahler performances, live and recorded, it’s questionable whether this transcription is as enjoyable or has the same impact...
Reviewed by Christopher Nickol in issue: 1/1999
Although titled “From Jewish Life” this beautifully played programme does, I fear, give a rather one-sided picture of what Jewish...
Reviewed by Rob Cowan in issue: 9/2008
All the histories and encyclopaedias tell us that there were no ‘successful’ operas composed in Britain between Purcell’s Dido and...
Reviewed by Patrick O'Connor in issue: 8/1997
This is a very attractive disc of violin concertos by Vivaldi. And they have been carefully chosen, furthermore, not just...
Reviewed by Nicholas Anderson in issue: 8/1993
Verses in praise of music for St Cecilia's Day were fashionable in the seventeenth century but in poetic inspiration none...
Reviewed by Nicholas Anderson in issue: 1/1987
The first movement of Brahm's B flat Piano Concerto is marked Allegro non troppo, but it is not untraditional to...
Reviewed by Ivan March in issue: 1/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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