Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
They are integrated yet individual, four musicians each outstanding but not standing out as such. The internal balance of the...
Reviewed by Nalen Anthoni in issue: 12/2010
Previously unpublished, this recording qualifies under house rules for consideration alongside some selected comparisons. If I append none it is...
Reviewed by Richard Osborne in issue: 3/1985
Tuckwell's New World is very well played and the digital recording is bright, well balanced and clear. The Largo is...
Reviewed by Ivan March in issue: 9/1987
Muza Rubackyte’s recital, entitled ‘Parcours Satanique’, runs into direct competition with Earl Wild’s legendary Vanguard disc, ‘The Daemonic Liszt’ (2/92)....
Reviewed in issue 7/2001
After the pairing of Spohr's first two double quartets on Hyperion (A66141, 5/86), here is the companion record of the...
Reviewed by John Warrack in issue: 10/1986
If in recent times there has been a more beautiful or subtler account of the Letter Scene from Eugene Onegin...
Reviewed by Alan Blyth in issue: 13/1997
An unusually absorbing Britten release, containing no less than three world-premiere recordings. The most striking discovery here has to be...
Reviewed by Andrew Achenbach in issue: 8/1999
No masterpieces here but a pleasant enough collection. I found Bernard Herrmann’s Echoes.the most intriguing. He always wanted to be...
Reviewed by Peter Dickinson in issue: 10/2008
Recording yet another version of one of the most popular concertos of all time isn't without risk; better, then, to...
Reviewed by William Yeoman in issue: 5/2008
A most absorbing programme, compellingly performed. The Barber, of course, is an excellent benchmark for the talents of any pianist...
Reviewed by Edward Seckerson in issue: 11/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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