Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The first concerto played may not be familiar to those confined to the older editions of the Complete Organ Works...
Reviewed in issue 8/1984
Schnittke’s 12 Penitential Psalms (1988) are not biblical: Nos. 1-11 use sixteenth-century Russian texts and No. 12 is a wordless...
Reviewed by Arnold Whittall in issue: 5/1999
‘Turner, Eva, soprano. Recording exclusively for Columbia.’ Thus ran her entry in the light-blue ‘celebrity’ catalogue of 1938, which listed...
Reviewed by John Steane in issue: 8/2000
I must say I’ve enjoyed renewing acquaintance with Amy Beach’s fine Gaelic Symphony of 1896, whose nobly elegant progress, sumptuous...
Reviewed by Andrew Achenbach in issue: 11/1999
The 1836 Pleyel, used here, is an enticing piano. In the outstanding booklet-note (by three writers, including the pianist himself)...
Reviewed by Nalen Anthoni in issue: 2/2004
Since this version first appeared on LP, the production from which it derives has achieved a kind of legendary status....
Reviewed by Alan Blyth in issue: 5/1989
Although Andrzej Panufnik's three string quartets are relatively late works, the second of them—subtitled Messages—is actually a delayed musical reaction...
Reviewed in issue 12/1993
Johann Christian Bach’s Op. 1 keyboard concertos were published in 1763: they are chamber works, played here, as they should...
Reviewed by Stanley Sadie in issue: 7/1996
Not since Ronald Corp’s recording with his New London Orchestra, I think, have Satie’s three ballets been available on one...
Reviewed by Lionel Salter in issue: 10/1999
There is enough surviving evidence to indicate that Bach spent a long time over the production of his six 'French...
Reviewed by Nicholas Anderson in issue: 9/1984
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.