Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
All Holzmair’s familiar gifts in Lieder are brought to bear on this absorbing selection of Goethe settings. Nowhere are they...
Reviewed by Alan Blyth in issue: 2/2006
Langgaard withdrew his 'stage-symphony' Sinfonia interna (1915-6) after completing Antikrist. He recomposed parts of it until the 1940s and planned...
Reviewed by Guy Rickards in issue: 1/2000
Perusal of the personnel and the prospect of the restoration of several long-deleted delicacies to the recorded menu stimulates the...
Reviewed by John Duarte in issue: 5/1986
The Second Symphony (1947-8) may come as a big surprise to those who know Egon Wellesz only from his later...
Reviewed by Guy Rickards in issue: 1/2004
Since leaving EMI and Nimbus, the Medici Quartet have been recording under their own label, and the two present issues...
Reviewed in issue 10/1993
To date, Ensemble Doulce Memoire’s discography has been fairly evenly divided between French and Italian repertories. Here the group associates...
Reviewed by Fabrice Fitch in issue: /2000
This looks like an interesting coupling but it turns out to be no such thing, mainly because Popol Vuh is...
Reviewed by Michael Oliver in issue: 5/1993
John Corigliano's Flute Concerto is expertly tailored as a vehicle for the virtuosity and the highly individual timbre of James...
Reviewed by Michael Oliver in issue: 10/1988
The Takacs Quartet make their first offering to Schubert year: the distinctive character of their new recording of the final...
Reviewed by hfinch in issue: 4/1997
I hate to nit-pick but this excellent complete Bachianas brasileiras (previous instalments having contained Nos 2‑4 and 7‑9 – 2/07)...
Reviewed by Guy Rickards in issue: 12/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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