Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Ionian Singers have been expanding the British choral repertoire for some two decades‚ and this disc of recent commissions...
Reviewed in issue 10/2001
The Berlin Philharmonic are on excellent form for their latest Wagner compilation, and the RCA producers have returned to the...
Reviewed by Ivan March in issue: 12/2000
I have not previously met these two works together on a disc and rather like the coupling. They are both...
Reviewed by Christopher Headington in issue: 7/1992
Elisabeth Soderstrom's two Tchaikovsky recitals with Vladimir Ashkenazy were a splendid exploration of some beautiful songs-36 in all, of which...
Reviewed by John Warrack in issue: 5/1994
Bernstein's account of this symphony on DG is so firmly controlled and has such an urgent sense of drama and...
Reviewed by Michael Oliver in issue: 5/1987
The German critic, Rellstab, may have exclaimed in horror over what he saw as Chopin's morbid transformation of Field's innocence...
Reviewed by Bryce Morrison in issue: 6/1994
A case of deja entendu here, since I reviewed these performances when they originally came out. I enjoyed them then...
Reviewed by Christopher Headington in issue: 2/1995
Richard Osborne received this set with very modified rapture when it first appeared here, on Hungaroton, in 1983 and I...
Reviewed by Alan Blyth in issue: 8/1996
At first glance this might seem a curious concept, Swedish folksongs as sung – exceptionally so, let me say straightaway...
Reviewed by Guy Rickards in issue: 3/2009
Jordi Savall's recording of music from Marais's fourth book of pieces de viole is superb: elegant fluent, spirited and evocative....
Reviewed in issue 9/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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