Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Less than 12 months separated the Ballets Russes premieres in Paris of Daphnis and The Rite of Spring. If the...
Reviewed by John Steane in issue: 7/1993
Recordings made as Stokowski approached and arrived at a hale-and-hearty 90, with the conjuror-conductor's powers shining as brightly as ever....
Reviewed by jswain in issue: 1/2000
I reviewed the CD from the second season of this production (Virgin, 8/00). In 2002 Daniel Harding remained in the...
Reviewed by Alan Blyth in issue: 3/2006
This new Brigg Fair is unique. Apologies in advance to ornithologists—your reviewer doesn't know his peewit from his pterodactyl—but what...
Reviewed by John Steane in issue: 1/1994
That Haydn's The Seasons has not enjoyed the level of popularity of its predecessor, The Creation, doubtless owes much to...
Reviewed by Lindsay Kemp in issue: 5/1992
Christophe Coin's third solo Vivaldi disc completes his recording of the nine cello sonatas (the six which used to masquerade...
Reviewed by Nicholas Anderson in issue: 1/1992
Despite their name, the Montreal Sinfonietta sound rather larger than the orchestras on the comparative versions listed above, though they're...
Reviewed by Richard Wigmore in issue: 6/1993
If in Blake’s immortal aphorism “exuberance is beauty”, then you need look no further than Bridge’s two-CD issue of Nadia...
Reviewed by Bryce Morrison in issue: 5/2010
Can these really be the same Symphonic Sketches to which I reacted in such lukewarm fashion when reviewing Neeme Jarvi’s...
Reviewed by Andrew Achenbach in issue: 2/1996
The gulf that used to yawn between musical scholars and performers has been increasingly bridged over the last 40 or...
Reviewed by Lionel Salter in issue: 9/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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