Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Anissimov’s period at the helm of the National Symphony Orchestra of Ireland has coincided with a marked improvement in that...
Reviewed in issue 8/2001
Imeneo, Handel's penultimate opera, was tentatively composed in 1738, then set aside, performed (twice only) at the end of 1740,...
Reviewed by Stanley Sadie in issue: 8/1993
It’s business as usual, notwithstanding Philippe Herreweghe’s change of label, and this scrupulously prepared, gently radical take on a familiar...
Reviewed by David Gutman in issue: 2/2011
Not since the Cummings Trio and Anthony Goldstone back in 1987 has any team come to the rescue of the...
Reviewed in issue 5/1995
Anne-Sophie Mutter and Lambert Orkis have chosen to open the disc with the most apparently sunny of the sonatas, the...
Reviewed by Peter Quantrill in issue: 8/2010
These performers are an ideal group for this music. Written in all probability for a community of Benedictine nuns, this...
Reviewed by mberry in issue: 9/2000
One of Italy’s more enterprising opera houses, Cagliari’s Teatro Lirico has in recent years staged Italian premieres of Wagner’s Die...
Reviewed by John Warrack in issue: 2/2001
When I started collecting recordings of the Schubert symphonies‚ it was only the Unfinished and the Great C major which...
Reviewed in issue 6/2002
Having the task of hearing and comparing two complete cycles of Beethoven sonatas—plus a third, when Daniel Barenboim's earlier HMV...
Reviewed by Edward Greenfield in issue: 1/1985
I am not one to believe that there are many hidden masterpieces lying abandoned on the shelves of music libraries....
Reviewed by James Methuen-Campbell in issue: 8/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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