Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In the astonishingly illinformed booklet accompanying this release (Stravinsky’s father was not ‘leading bass player at the Marinski [sic] Theatre’;...
Reviewed in issue 4/2002
Melvyn Tan is a brilliant player who is currently doing much to advance the cause of the early piano—and good...
Reviewed by Stephen Plaistow in issue: 2/1989
Flis (“The Raftsman”, 1858) was Moniuszko’s next opera following the great success enjoyed by Halka (3/07). For this opera, Moniuszko...
Reviewed by Guy Rickards in issue: 7/2010
The great organist Pierre Cochereau was acknowledged as one of the finest improvisers in the history of the instrument. He...
Reviewed by Jeremy Nicholas in issue: 10/2004
Charpentier's two Latin oratorios, Caecilia virgo et martyr and Filius prodigus were first issued on LP five years ago. Then...
Reviewed by Nicholas Anderson in issue: 10/1985
One of Rossini’s most attractive scores, La donna del lago is both bold and delicate, at one moment looking ahead...
Reviewed by John Steane in issue: 8/2007
With the recent deletion of Ormandy's famous 1978 Philadelphia set on mid-price EMI Studio (4/79), top-notch versions of the Legends...
Reviewed by Andrew Achenbach in issue: 6/2000
It seems only a while ago that Julius Katchen exclaimed in wonder over his protégé, Pascal Rogé, a pianist now...
Reviewed by Bryce Morrison in issue: 7/2005
Familiar to UK listeners from his stint with the London Sinfonietta, though more recently associated with music-making in Melbourne and...
Reviewed by David Gutman in issue: 1/2010
Though no less than 16 different versions of the Funeral March Sonata are currently on sale, this is the first...
Reviewed by Joan Chissell in issue: 3/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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