Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The late Scott Ross is still the only harpsichordist to have recorded all the Scarlatti sonatas (for Erato, 6/88), but...
Reviewed by Stephen Plaistow in issue: 10/1996
Another archive treasure mined from the catacombs of Broadcasting House comes blinking into the sunlight. A reminder, on this occasion,...
Reviewed by Richard Osborne in issue: 6/1999
Josefowicz claims that when she first encountered the last movement of Bartok’s First Violin Sonata, she had never heard anything...
Reviewed in issue 7/1998
How they did love him in Vienna! And with good reason. As Ewald Marld recounts in his excellent accompanying essay,...
Reviewed by John Steane in issue: 5/2006
Peteris Vasks may be Latvia’s most well-known composer internationally but Janis Ivanovs (1906-83) is the country’s principal symphonist. From 1933...
Reviewed by Guy Rickards in issue: 5/2004
Bridge's Suite dates from 1910, the same year as Vaughan Williams's Tallis Fantasia, but has never become as popular. As...
Reviewed in issue 10/1988
Imagining the differences between Willi Boskovsky and Antal Dorati (Mercury) in Liszt's Six Hungarian Rhapsodies is a fairly easy task,...
Reviewed in issue 6/1993
Fifteen popular violin encores composed in the late 19th and early 20th centuries which, as Dennis D Rooney reminds us...
Reviewed by Jeremy Nicholas in issue: 1/2010
There is a danger, with a composer as variable in quality as Sibelius, that a disc of ‘rarities’ will be...
Reviewed by Guy Rickards in issue: 13/1999
This latest addition to Guerrero’s discography is especially to be welcomed for his fine Mass on a motet by Thomas...
Reviewed by Fabrice Fitch in issue: 10/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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