Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This latest coupling of the Quintet and Quartet reached me only an hour or two after that of Martha Argerich...
Reviewed by Joan Chissell in issue: 1/1996
These performances are strongly characterised, clearly etched and full of life and drama. The account of the D major Sonata’s...
Reviewed by DuncanDruce in issue: 5/2010
A prolific composer (of opera as well as sacred music)‚ Leonardo Leo lived‚ studied and worked in Naples until at...
Reviewed in issue 10/2001
'Considering' can be a most inconsiderately used word, but it is hardly to be avoided here. We'll put it another...
Reviewed in issue 10/1986
Handel’s inventive Twelve Grand Concertos (written in 1739) contain an amazing variety of compositional techniques, notwithstanding their strict orchestral parameters...
Reviewed by David Vickers in issue: 10/2010
Haydn’s final opera, written for London in 1791, fell victim to the famous feud between George III and the Prince...
Reviewed by Richard Wigmore in issue: 9/1999
The second collection of vocal works in Ton Koopman’s admirable endeavour to record the extant works by Dieterich Buxtehude is...
Reviewed by David Vickers in issue: 10/2007
Few would deny that French composers have much enriched the harp repertory, or that French makers have contributed much to...
Reviewed by Christopher Headington in issue: 2/1994
William Christie's approach in this latest 'authentic' Dido as much in common with that of Andrew Parrott's now famous mould-breaking...
Reviewed by Lionel Salter in issue: 7/1986
Heaven for pianobuffs. Here is Michelangeli on top form in one of Beethoven’s grandest early sonatas‚ his magnificent technique displayed...
Reviewed in issue 9/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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