Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The novelty of this disc is the contribution of the Folkwang Guitar Duo‚ who provide the accompaniment for half the...
Reviewed in issue 10/2001
Telemann's Keyboard Fantasias are not, perhaps, an ideal diet for over 70 minutes of continuous listening, even when the disc...
Reviewed by Lindsay Kemp in issue: 4/2000
The five symphonies by the 'London Bach' on this new Hungaroton disc have been chosen from three different collections. Bach's...
Reviewed by Nicholas Anderson in issue: 9/1992
This promised to be an exciting reissue 30 years later from the old Lyrita catalogue. It was an example of...
Reviewed by Peter Dickinson in issue: 5/2007
This nicely-planned collection makes a fascinating study of Ravel as orchestrator. No doubt with an eye to the popular market...
Reviewed by Edward Greenfield in issue: 7/1987
Russian-born but based in America, Sergey Schepkin can count Gregory Sokolov among his teachers. Something of a Bach specialist, his...
Reviewed by Bryce Morrison in issue: 11/1999
It is important for the guitar’s absorption into mainstream music-making, that the gap between lone recitalist and concerto soloist should...
Reviewed in issue 6/1997
'Thrillingly bizarre' would be an appropriate description for this recital. The pieces were performed live between 1975–80 and they vary...
Reviewed by James Methuen-Campbell in issue: 4/1988
Under David Hill and subsequently James O’Donnell the choir of Westminster Cathedral established a tradition of excellent recordings for Hyperion....
Reviewed by Marc Rochester in issue: 7/2004
Excellent to have all this archival material on a single CD now. The performances of Rhapsody in Blue and An...
Reviewed by Peter Dickinson in issue: 9/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.