Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A lifelong disciple of Franck, Charles Tournemire (1870-1939) became, in turn, a paterfamilias to the inter-war generation of Parisian organists....
Reviewed by Malcolm Riley in issue: 9/1999
This, I'm afraid, is one Figaro too many. It adds little in the way of perception or insight to an...
Reviewed by hfinch in issue: 10/1987
It’s yo-ho-ho and a bottle of rum as Johnny Depp and company lead another instalment of this Disney franchise, this...
Reviewed by Adrian Edwards in issue: 10/2006
The Continuum release devoted to the three symphonies of Douglas Lilburn (8/94) made it into my 1994 “Critics’ choice”, and...
Reviewed by Andrew Achenbach in issue: 5/1996
It’s debatable whether the market is crying out for another collection of Stravinsky miniatures, and although the Deutsche Kammerphilharmonie are...
Reviewed by Arnold Whittall in issue: 8/2004
Bach knew a good thing when he heard it and Georg Böhm was one such figure whom we know received...
Reviewed by Jonathan Freeman-Attwood in issue: 2/2004
As digital Petrushkas go, this is definitely one of the best. Chailly has his players characterize even the smallest detail...
Reviewed in issue 6/1995
British light music’s remarkable rehabilitation must surely be complete when a new collection not only finds a place in Classic...
Reviewed by Andrew Lamb in issue: 3/1998
A good number of Kreisler performances have been reissued in the last year or two, and that can only be...
Reviewed in issue 1/1990
Paul Agnew is perhaps most readily associated with the French Baroque, but he is equally at home in English music....
Reviewed by Richard Lawrence in issue: 2/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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