Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Anyone who has watched Agatha Christie’s Poirot on television will have heard the striking opening sequence, the work of Christopher...
Reviewed by Edward Greenfield in issue: 03/2013
Alexander Goehr turned 80 last August and this programme, spanning nearly 50 years of his creative life, is as welcome...
Reviewed by Fabrice Fitch in issue: 03/2013
Zuill Bailey is a class act, as anyone who has investigated his recordings of the Korngold and Dvořák cello concertos...
Reviewed by Andrew Achenbach in issue: 03/2013
Of many famous soloists associated with the Mozart concerto I remember particularly the account of Gervase de Peyer, who played...
Reviewed by Ivan March in issue: 03/2013
Maddening or enchanting – Cherkassky could veer from one to the other. Taking a mischievous delight in a freedom that...
Reviewed by Bryce Morrison in issue: 03/2013
These two Russian symphonies come from a time when Tchaikovsky was still role model No 1, Myaskovsky had yet to...
Reviewed by David Fanning in issue: 03/2013
John Corigliano’s imposing song-cycle One Sweet Morning was commissioned by the New York Philharmonic to commemorate the 10th anniversary of...
Reviewed by Rob Cowan in issue: 03/2013
Is the 16-foot harpsichord register making a comeback? Andreas Staier has been making much use of this Landowska-esque device recently...
Reviewed by Lindsay Kemp in issue: 03/2013
That this programme of arrangements is so thoroughly enjoyable is due largely to the quality of the performances. Maxim Rysanov...
Reviewed by DuncanDruce in issue: 03/2013
That Johann Sebastian Bach was one of a large family of Bachs is well known, but this disc brings forward...
Reviewed by Edward Greenfield in issue: 03/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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