Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Beethoven wrote 10 sonatas for pianoforte and violin. It seems perverse of Decca to market this set with just Kavakos’s...
Reviewed by DuncanDruce in issue: 03/2013
I was very taken with the first instalment of the Gould Trio’s live Beethoven cycle, captured at St George’s, Brandon...
Reviewed by Harriet Smith in issue: 03/2013
At first glance, these three composers appear to have little in common. However, the sonatas are all early works, written...
Reviewed by DuncanDruce in issue: 03/2013
It may look on the outside like a bit of a pops disc (best-known Bach and Beethoven, and white-knuckle showpieces...
Reviewed by Caroline Gill in issue: 03/2013
An Oxford institution for over 20 years (with a personnel list that ebbs and flows with the best singers of...
Reviewed by Caroline Gill in issue: 01/2013
Recital audiences are often confronted with singers performing texts originally written for different genders and voice types, so this recording...
Reviewed by K Smith in issue: 01/2013
Stile Antico have continued a tradition established by the Tallis Scholars and The Sixteen, though with a bigger sound than...
Reviewed by Fabrice Fitch in issue: 01/2013
This exploration of mostly 17th-century English sacred music understandably gives pride of place to Purcell and his mentors Locke and...
Reviewed by David Vickers in issue: 01/2013
Are coloratura soprano showcases ever supposed to be this provocative? With her solid technique, mid-weight chest voice, small but spot-on...
Reviewed by David Patrick Stearns in issue: 01/2013
Now at the peak of his recording career, Gerald Finley is unsystematically jumping from Ives to Ravel to Schumann, no...
Reviewed by David Patrick Stearns in issue: 01/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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