Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Violins not spread out but bunched on the left, cellos and basses similarly on the right. The piano is dead...
Reviewed by Nalen Anthoni in issue: 01/2013
This splendidly recorded performance of the Second Concerto accentuates its stark and sudden contrasts – the first movement’s swings of...
Reviewed by DuncanDruce in issue: 01/2013
Different worlds entirely. Kirill Karabits’s Scythian Suite, although occasionally hampered by rather edgeless sound (ie the internal brass in ‘The...
Reviewed by Rob Cowan in issue: 01/2013
Prokofiev’s Romeo and Juliet has fared well on disc, with multiple recordings of the suites and latterly of the complete...
Reviewed by David Gutman in issue: 01/2013
Allan Pettersson’s Sixth Symphony (1963-66) is one of the middle-period symphonies (Nos 5-8) that to my mind represent his greatest...
Reviewed by Guy Rickards in issue: 01/2013
No susurrating strings at the beginning of K466. Claudio Abbado ensures that the syncopated rhythm, though soft, is precisely articulated,...
Reviewed by Nalen Anthoni in issue: 01/2013
With Mahler having held two prominent New York conductorships during the writing of his Eighth Symphony, many listeners at the...
Reviewed by K Smith in issue: 01/2013
The obvious point of comparative reference for this excellent 2011 recording of Liszt’s Dante Symphony is the equally excellent Martin...
Reviewed by Rob Cowan in issue: 01/2013
The recordings on the first of these CDs, reissued to mark Oliver Knussen’s 60th birthday, go back to the early...
Reviewed by Arnold Whittall in issue: 01/2013
Combattimento Consort Amsterdam has achieved respectable success with stylistically accomplished performances of Baroque repertoire using predominantly modern instruments. This is...
Reviewed by David Vickers in issue: 01/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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