Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
You never know what to expect from Valery Afanassiev. One year it’s the most lifeless Beethoven concerto cycle on disc,...
Reviewed by Jed Distler in issue: 01/2013
For many, Rachmaninov was the greatest of all pianists, and here in Ward Marston’s magnificent transfers he is at last...
Reviewed by Bryce Morrison in issue: 01/2013
The fourth instalment in Kristian Bezuidenhout’s Mozart solo keyboard music cycle proves remarkably consistent in relation to the previous three...
Reviewed by Jed Distler in issue: 01/2013
Concertino en style classique has four short movements (17'56" overall) of chic Baroque pastiche, the first movement at times edging...
Reviewed by Jeremy Nicholas in issue: 01/2013
Eric Craven’s Set for Piano – not merely performed but ‘realised and performed’, the cover art declares, by Cork-born pianist...
Reviewed by Philip_Clark in issue: 01/2013
Pollini first made his mark in Chopin, his gleaming sonority and imperious command a source of wonder to Rubinstein at...
Reviewed by Bryce Morrison in issue: 01/2013
Here is a Chopin recital to make you think again. Anne-Marie McDermott, whose records, notably of Bach and Prokofiev, have...
Reviewed by Bryce Morrison in issue: 01/2013
Katia Bronska is a new name to me, though presumably she has been around for some time as in 1987...
Reviewed by Jeremy Nicholas in issue: 01/2013
Eloquence presents the first CD publication of a 1971 two-LP set originally issued in DG’s Archiv series, featuring Jörg Demus...
Reviewed by Jed Distler in issue: 01/2013
While the living are central to the progressive Other Minds festivals in San Francisco, this violin-and-piano spin-off recording features works...
Reviewed by Guy Rickards in issue: 01/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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