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Review of FAURÉ Requiem

FAURÉ Requiem

This is an appealing concert that cleverly mixes the familiar with the unfamiliar and includes a well-known piece in an...

Reviewed by Richard Lawrence in issue: 05/2012

Review of CHOPIN Songs & Lieder

CHOPIN Songs & Lieder

I’m sorry to begin in captious vein, but here goes. Anyone buying this ‘blind’ might expect 18 different songs. Instead...

Reviewed by Richard Wigmore in issue: 05/2012

Review of CHARPENTIER Impressions d'Italie. Didon; La Vie du poète. La Fete des myrtes

CHARPENTIER Impressions d'Italie. Didon; La Vie du poète. La Fete des myrtes

Here are Charpentier’s two auditions for the Prix de Rome written in Paris in 1887 and two ‘on-site’ winner’s pieces...

Reviewed by Mike Ashman in issue: 05/2012

Review of BRAHMS Ein deutsches Requiem

BRAHMS Ein deutsches Requiem

John Eliot Gardiner first recorded the German Requiem in 1990, one of the first discs with his then newly formed...

Reviewed by David Threasher in issue: 05/2012

Review of Brahms Works for chorus and orchestra

Brahms Works for chorus and orchestra

Created last year expressly for conductor Philippe Herreweghe to explore on disc his wide-ranging musicological and interpretative interests, the PHI...

Reviewed by Marc Rochester in issue: 05/2012

Review of BLACKFORD Not in our time

BLACKFORD Not in our time

Blackford’s third major choral and orchestral work will, I feel sure, be quickly added to that illustrious lineage of pacifist...

Reviewed by Malcolm Riley in issue: 05/2012

Review of JS BACH Cantatas, Vol 50

JS BACH Cantatas, Vol 50

The half-century volume of this most considered of Bach cantata series reaches that point, late in the journey, where only...

Reviewed by Jonathan Freeman-Attwood in issue: 05/2012

Review of Simon Trpčeski

Simon Trpčeski

This is Simon Trp∂eski’s first mixed recital disc since his acclaimed debut album for EMI in 2002 (8/02), the first...

Reviewed by Jeremy Nicholas in issue: 06/2013

Review of Grigory Sokolov plays…

Grigory Sokolov plays…

Sokolov first came to attention by winning the International Tchaikovsky Competition in 1966, aged 16. For his final audition he...

Reviewed by Jeremy Nicholas in issue: 06/2013

Review of WAGNER Overtures and Preludes

WAGNER Overtures and Preludes

A few words of clarification before tackling the performances, as most of the booklet is taken up with an imaginary...

Reviewed by Jeremy Nicholas in issue: 06/2013


 

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