A Bach Notebook

On trumpet, 11 Bachs spanning two centuries

Record and Artist Details

Composer or Director: Jonathan Freeman-Attwood, Johann Sebastian Bach, Johann Christian Bach, Johann Bernhard Bach, Carl Philipp Emanuel Bach, Johann Ludwig Bach, Johann Michael Bach, Johann Christoph Friedrich Bach, Wilhelm Friedemann Bach, Johann Christoph Bach

Genre:

Chamber

Label: Linn

Media Format: CD or Download

Media Runtime: 72

Mastering:

Stereo
DDD

Catalogue Number: CKD418

Tracks:

Composition Artist Credit
Preludes and Fugues, Movement: Prelude and Fugue in G, BWV541 Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
(18) Chorales, 'Leipzig Chorales', Movement: ~ Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
Sonata Johann Heinrich Bach
Daniel-Ben Pienaar, Musician, Piano
Johann Heinrich Bach, Composer
Jonathan Freeman-Attwood, Composer
Ach, wie sehnlich wart ich der Zeit Johann Michael Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Michael Bach, Composer
Jonathan Freeman-Attwood, Composer
Cantata No. 68, 'Also hat Gott die Welt geliebt', Movement: Chorus: Wer an ihn glaubet, der wird nicht gericht Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
Ich lasse dich nicht Johann Christoph Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Christoph Bach, Composer
Jonathan Freeman-Attwood, Composer
Overture Johann Ludwig Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Ludwig Bach, Composer
Jonathan Freeman-Attwood, Composer
Concerto for Violin and Strings Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
Cantata No. 85, 'Ich bin ein guter Hirt', Movement: Aria: Seht, was die Liebe tut! (T) Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
Orgel-Büchlein, Movement: O Mensch, bewein' dein' Sünde gross, BWV622 Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
Cantata No. 172, 'Erschallet, ihr Lieder', Movement: Choral: Von Gott kommt mir ein Freudenschein (chor Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
O Lamm Gottes, unschuldig Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
So oft ich meine Tobackspfeife Gottfried Heinrich Bach
Daniel-Ben Pienaar, Musician, Piano
Gottfried Heinrich Bach, Composer
Jonathan Freeman-Attwood, Composer
(6) English Suites, Movement: No. 2 in A minor, BWV807 Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
Rondo Allegretto: Sonata Johann Christoph Friedrich Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Christoph Friedrich Bach, Composer
Jonathan Freeman-Attwood, Composer
Sonata for Keyboard Carl Philipp Emanuel Bach, Composer
Carl Philipp Emanuel Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Jonathan Freeman-Attwood, Composer
Suite No. 4 Johann Bernhard Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Bernhard Bach, Composer
Jonathan Freeman-Attwood, Composer
(12) Polonaises, Movement: F minor Wilhelm Friedemann Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Jonathan Freeman-Attwood, Composer
Wilhelm Friedemann Bach, Composer
Amadis des Gaules, Movement: Overture Johann Christian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Christian Bach, Composer
Jonathan Freeman-Attwood, Composer
(6) Suites (Sonatas) for Cello, Movement: No. 6 in D, BWV1012 Johann Sebastian Bach, Composer
Daniel-Ben Pienaar, Musician, Piano
Johann Sebastian Bach, Composer
Jonathan Freeman-Attwood, Composer
That Johann Sebastian Bach was one of a large family of Bachs is well known, but this disc brings forward no fewer than 11 Bachs who flourished between 1615 and 1796. Aided by the young South African pianist Daniel-Ben Pienaar, who has made the arrangements, Jonathan Freeman-Attwood, distinguished academic (current principal of the Royal Academy of Music) as well as fellow critic on Gramophone, demonstrates his virtuosity on the trumpet. As he explains, the aim is to view all these 20 works through a 20th-century prism, ‘dressing the music in new clothes’, using instruments – valve trumpet and grand piano – unknown when most of this music was written.

The result is a lively romp, not at all like an academic exercise, with JSB standing out even above such brilliant sons as Carl Philipp Emanuel and Johann Christian. These three are the only ones who transcend their respective periods, JSB monumentally so; but as presented here, all these Bachs emerge freshly with plenty to say, whether reflecting the period of Monteverdi and the Gabrielis or that of the Baroque.

The quality that runs consistently through these performances is vigour, with rhythmic bite in sprung rhythms. Not that it is a disc to play in one sitting, for the ripe sound of the trumpet, as recorded in the helpful acoustic of St George’s, Brandon Hill, Bristol does tend to get overpowering. That’s the only reservation about a disc that brings to life all 11 Bachs, with their sequence of confusingly similar names. A totally refreshing disc.

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