Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
The virtues of David Fray’s 2007 D major Partita and D minor French Suite recording (7/07) are present in his...
Reviewed by Jed Distler in issue: 03/2013
After robust, earthy Purcell and delicately characterful Louis Couperin, Richard Egarr’s Bach English Suites are carefully controlled, polished, thoughtful and...
Reviewed by Philip Kennicott in issue: 03/2013
Bach’s St John Passion gains more from the small-ensemble approach, I think, than its big sister, the St Matthew. Its...
Reviewed by Lindsay Kemp in issue: 03/2013
For some years Menotti’s Violin Concerto, along with his other purely instrumental works, was neglected. The first recording, with Tossy...
Reviewed by Peter Dickinson in issue: 03/2013
Wolf-Ferrari’s Violin Concerto, a late work, was written for the young American virtuoso Guila Bustabo, who had enjoyed a meteoric...
Reviewed by DuncanDruce in issue: 03/2013
Like the sun on Monet’s haystacks or Rouen Cathedral, Vivaldi’s genius shone on his own conception of the Baroque concerto...
Reviewed by William Yeoman in issue: 03/2013
A decent account of Tchaikovsky’s so-called Little Russian Symphony – though not so little in this expansive and beefy Cologne...
Reviewed by Edward Seckerson in issue: 03/2013
As the title implies, the Symphonic Poem is based on three notes. Not particularly interesting notes; just the first three...
Reviewed by Marc Rochester in issue: 03/2013
The whole Szymanowski landscape is here, from the Strauss-infatuated Concert Overture to the folk-inflected Bartókian pianism of the exotic Fourth...
Reviewed by Edward Seckerson in issue: 03/2013
This is the sort of set that makes me grateful that classical recordings are still being made. As a refresher...
Reviewed by Rob Cowan in issue: 03/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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