Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Enescu’s Second Violin Sonata (1899) occupies a special place in his output, being the work in which he found his...
Reviewed by Guy Rickards in issue: 11/2013
Fartein Valen began planning a trio in 1912 but only began serious work on it in 1917. Progress, as often...
Reviewed by Guy Rickards in issue: 11/2013
Ophélie Gaillard has always displayed an extraordinary palette of colours and these come alive more than ever on this recording...
Reviewed by Caroline Gill in issue: 11/2013
This is the fifth and final instalment of an interesting series that presents Beethoven’s violin sonatas in the context of...
Reviewed by Duncan Druce in issue: 11/2013
A pleasant enough coupling, though not exactly helped by the somewhat cavernous acoustic of the Böserndorfer-Saal at the Vienna Mozarthaus....
Reviewed by Rob Cowan in issue: 11/2013
Walden is a four-movement wind quintet from 1978, rescored in 1995 to include bass clarinet and alto saxophone rather than...
Reviewed by David Fanning in issue: 11/2013
Leipzig was never especially kind to Brahms. His First Piano Concerto was jeered off the stage there in 1859. Fences...
Reviewed by Richard Osborne in issue: 10/2013
When this production inaugurated Dresden’s takeover of the Berlin Philharmonic’s Salzburg Easter Festival, the critical reaction gave thumbs up to...
Reviewed by Mike Ashman in issue: 10/2013
C Major’s performance and ‘making of’ DVDs are the account of an experimental cut version of the Ring cycle given...
Reviewed by Mike Ashman in issue: 10/2013
This is good. Very good. Acclaim and the Pavel Haas Quartet are familiar bedfellows – after all, they did win...
Reviewed by Harriet Smith in issue: 10/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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