Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This is a follow-up to the Don Giovanni conducted by Yannick Nézet-Séguin that I welcomed recently (DG, 12/12). Mojca Erdmann...
Reviewed by Richard Lawrence in issue: 11/2013
The 1920s and ’30s were not kind to composers – all of Berg, Busoni, Elgar and Puccini were struck down...
Reviewed by Mike Ashman in issue: 11/2013
All who were present at the performances of Peter Grimes on Aldeburgh beach this summer agree it was an unforgettable...
Reviewed by Richard Fairman in issue: 11/2013
Le Docteur Miracle, Bizet’s second opera, came about as the result of a competition. Six composers from a list of...
Reviewed by Richard Lawrence in issue: 11/2013
For their newest venture, Schloss vor Husum dig ever deeper into the byways of piano literature. And if not everything...
Reviewed by Bryce Morrison in issue: 11/2013
The tape of this 1971 recital comes from Shura Cherkassky’s own private collection housed at the British Library, but no...
Reviewed by Jeremy Nicholas in issue: 11/2013
The likelihood is that Bruno Walter designed his transcriptions of Mahler’s First and Second Symphonies for public performance. Dynamics, phrasings...
Reviewed by Philip Clark in issue: 11/2013
‘The Sudden Pianist’ desperately wants you to believe in the dream that 40-something pianist/composer Michael Hersch is, as the cover...
Reviewed by Philip Clark in issue: 11/2013
Very little of Samuel Coleridge-Taylor’s piano music has been recorded. If the four works here have previously made it complete...
Reviewed by Jeremy Nicholas in issue: 11/2013
Few composers have so determinedly avoided popularity as Busoni. An idealist, he dismissed one musical luminary after another. Schumann and...
Reviewed by Bryce Morrison in issue: 11/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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