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SCHUBERT Piano Sonatas Nos 19 & 20. Impromptu D899 No 3

Seven years have passed since Inon Barnatan’s impressive performance of Schubert’s last sonata (Bridge, A/06), one in which Bryce Morrison...

Reviewed by Harriet Smith in issue: 11/2013

JS BACH Goldberg Variations

For his second Nonesuch project, Jeremy Denk follows in the footsteps of hundreds of pianists before him who have essayed...

Reviewed by Jed Distler in issue: 11/2013

VIVALDI Catone in Utica

Ciccolini revives Vivaldi’s 1737 opera with reconstructed Act 1...

Reviewed by David Vickers in issue: 11/2013

Arias for Farinelli

Philippe Jaroussky’s conceptual recital unveils Porpora’s music for his pupil Farinelli. Frédéric Delaméa provides a fascinating essay about the overlapping...

Reviewed by David Vickers in issue: 11/2013

WEBER Der Freischütz

This whole idea falls on the fundamental misapprehension that a stage work is some kind of imperfect shorthand form just...

Reviewed by Mike Ashman in issue: 11/2013

WAGNER Rienzi

‘Only the very wise can so clearly perceive the very obvious’ was one thought when the 81 year-old stage director...

Reviewed by Mike Ashman in issue: 11/2013

WAGNER Das Rheingold

Like the first instalment of the Mariinsky Ring (Die Walküre, 5/13), this recording of Das Rheingold is the result of...

Reviewed by Arnold Whittall in issue: 11/2013

RAVEL L’Enfant et les Sortilèges. l’Heure Espagnole

L’heure espagnole was premiered at the Opéra-Comique in 1911, coupled with the first Parisian production of Massenet’s Thérèse. L’enfant et...

Reviewed by Richard Lawrence in issue: 11/2013

PUCCINI La Fanciulla del West

They have a good reason for mounting a new production of La fanciulla del West at the Royal Swedish Opera,...

Reviewed by Richard Fairman in issue: 11/2013

NONO Intolleranza

In April 1961 Venice’s august Fenice opera house witnessed the explosive premiere of Luigi Nono’s ‘azione scenica’ Intolleranza 1960. What...

Reviewed by Arnold Whittall in issue: 11/2013

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