Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Though still on the margins of the opera repertoire, Königskinder has well-placed friends in the opera and recording world who...
Reviewed by David Patrick Stearns in issue: 12/2013
The premiere of Belisario took place at La Fenice, Venice, in 1836. The libretto was by Salvadore Cammarano, with whom...
Reviewed by Richard Lawrence in issue: 12/2013
Sofya Gulyak, who has won first prizes in many competitions, including both the William Kapell in Maryland and the Leeds,...
Reviewed by Bryce Morrison in issue: 12/2013
In the early 1960s the great Italian virtuoso Fernando Germani recorded three LPs for HMV at Selby Abbey. They became...
Reviewed by Christopher Nickol in issue: 12/2013
The choral music of Sir Charles Villiers Stanford has not so much remained in the repertoire of British cathedral and...
Reviewed by Marc Rochester in issue: 12/2013
Uchida and Schumann are a wonderful match: she conveys his febrile qualities with such naturalness, as was vividly demonstrated in...
Reviewed by Harriet Smith in issue: 12/2013
Cordelia Williams was winner of the keyboard final of the 2006 BBC Young Musician of the Year, a competition that,...
Reviewed by Harriet Smith in issue: 12/2013
If we agree that mastering and then recording the Paganini Caprices is the violinist’s version of climbing Everest, and acknowledge...
Reviewed by Julie Anne Sadie in issue: 12/2013
The first four Ws (Who, What, Where, When) seemed clear-cut: Christian Blackshaw plays Mozart sonatas at Wigmore Hall in 2012....
Reviewed by Jed Distler in issue: 12/2013
Following his earlier Delphian disc of the B minor Sonata (A/07), David Wilde continues with Liszt, complementing the first Mephisto...
Reviewed by Bryce Morrison in issue: 12/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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