Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Given the level of insight and illumination that Jonathan Nott’s Mahler cycle has thus far thrown up, these latest instalments...
Reviewed by Edward Seckerson in issue: 12/2013
As with Martin Haselböck’s fascinating period-instrument series of Liszt tone-poems for NCA, his set of the six Hungarian Rhapsodies for...
Reviewed by Rob Cowan in issue: 12/2013
Archival reclamations are rarely as well documented as this one. In addition to helpful contextual notes by Andrew Farach-Colton, the...
Reviewed by David Gutman in issue: 12/2013
While Hindemith’s concertos for violin, cello and especially viola have been gathered in usually single-disc collections, the five works for...
Reviewed by Guy Rickards in issue: 12/2013
Drostan Hall here conducts without the gestures that shape phrases, generate intensity and give meaning to music. His metrical beat...
Reviewed by Nalen Anthoni in issue: 12/2013
Gounod’s complete works for pedal piano and orchestra is not something the musical world has been waiting for with bated...
Reviewed by Jeremy Nicholas in issue: 12/2013
Here’s a welcome companion release to ICA Classics’ recent restoration (8/12) of Boult’s blistering Elgar First from the 1976 Proms....
Reviewed by Andrew Achenbach in issue: 12/2013
Marek Janowski’s Bruckner cycle, of which this is the last instalment, has enjoyed a good press around these parts, but...
Reviewed by Philip Clark in issue: 12/2013
This programme of Britten’s music for strings includes a few surprises. It is a boon to us today that the...
Reviewed by Richard Fairman in issue: 12/2013
This is indeed a splendid recording of the Concerto. The Gewandhaus Orchestra sound bright and resplendent in the great D...
Reviewed in issue 12/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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