Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
During the reigns of Augustus II the Strong (d1733) and his heir Friedrich Augustus III (d1763), the Dresden Hofkapelle employed...
Reviewed by David Vickers in issue: 12/2013
I have to hand it to Yannick Nézet-Séguin: this is without question one of the finest Pathétiques to have come...
Reviewed by Rob Cowan in issue: 12/2013
No beating about the bush: Vladimir Jurowski’s marvellously articulate, thrillingly combustible 2011 live recording of Tchaikovsky’s Fourth has nothing to...
Reviewed by Andrew Achenbach in issue: 12/2013
Boris Berezovsky’s espousal of the Second Concerto is interesting in that he goes for the original version rather than the...
Reviewed by Geoffrey Norris in issue: 12/2013
Coming hard on the heels of Gustavo Dudamel’s first CD release with his own Los Angeles Philharmonic (5/13), this Strauss...
Reviewed by David Gutman in issue: 12/2013
As the motto phrase on cellos and basses opening No 4 rises out pianissimo against a pianissimo background of violas,...
Reviewed by Nalen Anthoni in issue: 12/2013
Right from the off, things augur well. The Spring Symphony’s opening Andante un poco maestoso is also, usefully, con moto,...
Reviewed by Rob Cowan in issue: 12/2013
The two works on this CD feature the pianist Nicolas Hodges as soloist and are related in a number of...
Reviewed by Fabrice Fitch in issue: 12/2013
Martin Fröst has already recorded a fine, outgoing version of Mozart’s Concerto in its original form for basset clarinet. A...
Reviewed by Richard Wigmore in issue: 12/2013
Mahler once said that conductors would take the central Scherzo of the Fifth Symphony – the fulcrum of the piece...
Reviewed by Edward Seckerson in issue: 12/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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