Fernando Germani at Selby Abbey
Selby reissues classic Germani to help fund organ overhaul
View record and artist detailsRecord and Artist Details
Composer or Director: Girolamo Frescobaldi, Fernando Germani, César Franck, Franz Liszt, (Johann Baptist Joseph) Max(imilian) Reger, Charles-Marie(-Jean-Albert) Widor
Genre:
Instrumental
Label: Selby Abbey
Magazine Review Date: 12/2013
Media Format: CD or Download
Media Runtime: 71
Mastering:
AAD
Catalogue Number: SAOA001
Tracks:
Composition | Artist Credit |
---|---|
Toccata I |
Girolamo Frescobaldi, Composer
Fernando Germani, Composer Girolamo Frescobaldi, Composer |
Canzona IV |
Girolamo Frescobaldi, Composer
Fernando Germani, Composer Girolamo Frescobaldi, Composer |
Toccata V |
Girolamo Frescobaldi, Composer
Fernando Germani, Composer Girolamo Frescobaldi, Composer |
Capriccio Pastorale |
Girolamo Frescobaldi, Composer
Fernando Germani, Composer Girolamo Frescobaldi, Composer |
(3) Chorales, Movement: No. 1 in E |
César Franck, Composer
César Franck, Composer Fernando Germani, Composer |
(3) Chorales, Movement: No. 3 in A minor |
César Franck, Composer
César Franck, Composer Fernando Germani, Composer |
Prelude and Fugue on the name B-A-C-H |
Franz Liszt, Composer
Fernando Germani, Composer Franz Liszt, Composer |
(3) Chorale Fantasias, Movement: Hallelujah! Gott zu loben, bleibe meine Seelenfr |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Fernando Germani, Composer |
Symphony No. 5, Movement: Toccata |
Charles-Marie(-Jean-Albert) Widor, Composer
Charles-Marie(-Jean-Albert) Widor, Composer Fernando Germani, Composer |
Author: Christopher Nickol
It’s fascinating to hear Germani’s different approaches to the various composers. In music by Franck and Frescobaldi, his tempi are broad and majestic; by using the organ’s variety of colours and dynamics, he conveys Frescobaldi’s changes of mood and Franck’s symphonic grandeur. In contrast, his tempi in the pieces by Liszt, Reger and Widor are, at times, extremely rapid; combined with the rich brilliance of the Hill organ, this makes for thrilling listening.
Since 1960 this repertoire has appeared in tidier performances and clearer recordings. However, the drama of Germani’s charismatic playing can still captivate listeners, as it did during the age of the LP.
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