Fernando Germani at Selby Abbey

Selby reissues classic Germani to help fund organ overhaul

Record and Artist Details

Composer or Director: Girolamo Frescobaldi, Fernando Germani, César Franck, Franz Liszt, (Johann Baptist Joseph) Max(imilian) Reger, Charles-Marie(-Jean-Albert) Widor

Genre:

Instrumental

Label: Selby Abbey

Media Format: CD or Download

Media Runtime: 71

Mastering:

AAD

Catalogue Number: SAOA001

SAO001. Fernando Germani at Selby Abbey

Tracks:

Composition Artist Credit
Toccata I Girolamo Frescobaldi, Composer
Fernando Germani, Composer
Girolamo Frescobaldi, Composer
Canzona IV Girolamo Frescobaldi, Composer
Fernando Germani, Composer
Girolamo Frescobaldi, Composer
Toccata V Girolamo Frescobaldi, Composer
Fernando Germani, Composer
Girolamo Frescobaldi, Composer
Capriccio Pastorale Girolamo Frescobaldi, Composer
Fernando Germani, Composer
Girolamo Frescobaldi, Composer
(3) Chorales, Movement: No. 1 in E César Franck, Composer
César Franck, Composer
Fernando Germani, Composer
(3) Chorales, Movement: No. 3 in A minor César Franck, Composer
César Franck, Composer
Fernando Germani, Composer
Prelude and Fugue on the name B-A-C-H Franz Liszt, Composer
Fernando Germani, Composer
Franz Liszt, Composer
(3) Chorale Fantasias, Movement: Hallelujah! Gott zu loben, bleibe meine Seelenfr (Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer
Fernando Germani, Composer
Symphony No. 5, Movement: Toccata Charles-Marie(-Jean-Albert) Widor, Composer
Charles-Marie(-Jean-Albert) Widor, Composer
Fernando Germani, Composer
In the early 1960s the great Italian virtuoso Fernando Germani recorded three LPs for HMV at Selby Abbey. They became well known and much admired, especially the first disc, of music by Franck, Liszt, Reger and Widor, reissued in HMV’s ‘Concert Classics Series’. The marvellous sounds of the abbey’s four-manual Hill organ were brilliantly captured by EMI’s engineers. But the instrument’s condition has deteriorated to the point where it will soon be unplayable. Proceeds from the sales of this CD will go towards the Selby Abbey Organ Appeal, and it’s an excellent idea to make highlights from Germani’s LPs available once again. The transfers have been very well done by Jonathan Wearne, and the informative booklet includes an endorsement of the appeal from its patron, the Archbishop of York.

It’s fascinating to hear Germani’s different approaches to the various composers. In music by Franck and Frescobaldi, his tempi are broad and majestic; by using the organ’s variety of colours and dynamics, he conveys Frescobaldi’s changes of mood and Franck’s symphonic grandeur. In contrast, his tempi in the pieces by Liszt, Reger and Widor are, at times, extremely rapid; combined with the rich brilliance of the Hill organ, this makes for thrilling listening.

Since 1960 this repertoire has appeared in tidier performances and clearer recordings. However, the drama of Germani’s charismatic playing can still captivate listeners, as it did during the age of the LP.

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