Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Triumphantly premiered in Paris in 1779, Iphigénie en Tauride is Gluck’s supreme masterpiece and the culmination of his efforts to...
Reviewed by Richard Wigmore in issue: 02/2016
Don Quichotte chez la Duchesse, to a libretto by the prolific Charles-Simon Favart, was staged at the Paris Opera in...
Reviewed by Richard Lawrence in issue: 02/2016
This recital devoted to Attilio Ariosti (1666-1729) offers an indispensable chance to broaden our appreciation of Italian opera in early...
Reviewed by David Vickers in issue: 02/2016
We have Pablo Casals most to thank for the cello’s renaissance as a solo instrument in the first half of...
Reviewed by Peter Quantrill in issue: 02/2016
Bruno Monsaingeon’s reputation precedes him. With films such as The Enigma and Unquiet Traveller he has revealed much about artists...
Reviewed by Harriet Smith in issue: 02/2016
Richard Pinel’s recital celebrates the 50th anniversary of the Harrison & Harrison organ in St George’s Chapel, Windsor. It also...
Reviewed by Jeremy Nicholas in issue: 02/2016
In 2007 pianist and new music champion Anthony de Mare launched the Liasons Project, for which a wide stylistic and...
Reviewed by Jed Distler in issue: 02/2016
Widor’s 10 organ symphonies have been served well recently. There are splendid complete sets from Joseph Nolan (Signum; five discs,...
Reviewed by Malcolm Riley in issue: 02/2016
Anyone who listened to Vaughan Jones’s 2014 release, ‘The Hidden Violin’ (7/14), will know that repertoire rarities don’t always produce...
Reviewed by Charlotte Gardner in issue: 02/2016
This is Angela Hewitt’s first foray into Scarlatti on disc but she hopes there will be more. Sixteen down…539 to...
Reviewed by Harriet Smith in issue: 02/2016
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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