Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
‘I still don’t understand how there can be no word for “please” and no phrase for “nice to meet you”,’...
Reviewed by Andrew Mellor in issue: 02/2016
No one takes on the Nielsen Violin Concerto lightly. Its technical demands are not a whit less than those of...
Reviewed by David Fanning in issue: 02/2016
‘One is right always to be more than a little cautious about pleading in favour of the admission of a...
Reviewed by Charlotte Gardner in issue: 02/2016
Jennifer Pike works hard, perhaps against the grain, to counter the impression of prettiness that Mendelssohn’s music still leaves in...
Reviewed by Peter Quantrill in issue: 02/2016
The two early Ives symphonies recorded by the same team (5/15) are relatively plain sailing compared with some of these...
Reviewed by Peter Dickinson in issue: 02/2016
The music of Toshio Hosokawa (b1955) is often said to synthesise Eastern philosophy (Zen Buddhism) with Western aesthetics (Expressionism). But...
Reviewed by Arnold Whittall in issue: 02/2016
Beast Sampler was well received at last year’s Proms and you can hear in its glacial coolness and spatial breadth...
Reviewed by Andrew Mellor in issue: 02/2016
Over 30 years may separate Górecki’s Third and Fourth Symphonies but it would be misleading to attribute such a long...
Reviewed by Pwyll ap Siôn in issue: 02/2016
This is Ginastera’s centenary year. If he died way too young (aged just 67, in 1983), his legacy still leaves...
Reviewed by Guy Rickards in issue: 02/2016
Rebecca Miller follows up her disc of music by the American composer Henry Kimball Hadley (Dutton, 10/15) with a symphony...
Reviewed by David Threasher in issue: 02/2016
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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