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Review of Tavener Conducts Tavener

Tavener Conducts Tavener

The title of Cappella Nova’s latest recording is neat, but also confusing. ‘Tavener Conducts Tavener’ is not, as glance might...

Reviewed by Alexandra Coghlan in issue: 01/2016

Review of SCHUBERT Winterreise

SCHUBERT Winterreise

Genz and Dalberto set out their stall in the opening ‘Gute Nacht’: a brisk, inexorably trudging tempo, sparse staccato textures,...

Reviewed by Richard Wigmore in issue: 01/2016

Review of RACHMANINOV Liturgy of St John Chrysostom, Op. 31

RACHMANINOV Liturgy of St John Chrysostom, Op. 31

Less well known than his setting of the All-Night Vigil (Vespers), Rachmaninov’s earlier Liturgy of St John Chrysostom – it...

Reviewed by Ivan Moody in issue: 01/2016

Review of MUSSORGSKY Songs and Romances

MUSSORGSKY Songs and Romances

Men – particularly basses and baritones – tend to have a monopoly on Mussorgsky’s songs, so it’s welcome to see...

Reviewed by Mark Pullinger in issue: 01/2016

Review of MOZART Davide Penitente

MOZART Davide Penitente

Well. I’m not sure whether I should be reviewing this unusual DVD for Gramophone or for Horse & Hound. In...

Reviewed by Richard Lawrence in issue: 01/2016

Review of LEROUX Quid sit musicus? Cinq Poèmes de Jean Grosjean

LEROUX Quid sit musicus? Cinq Poèmes de Jean Grosjean

Machaut’s dual status as poet and composer seems ideally suited to launch a work in which the relation of text...

Reviewed by Fabrice Fitch in issue: 01/2016

Review of KORNGOLD Complete Songs

KORNGOLD Complete Songs

Those who find Korngold’s music difficult to take may blench at the thought of a two-disc collection of his complete...

Reviewed by David Gutman in issue: 01/2016

Review of ISAAC Missa Misericordias Domini. Motets

ISAAC Missa Misericordias Domini. Motets

Cantica Symphonia are a mixed vocal and instrumental ensemble long associated with the works of Guillaume Dufay, to whom they...

Reviewed by Edward Breen in issue: 01/2016

Review of HOLLIGER Machaut Transcriptions

HOLLIGER Machaut Transcriptions

This is the first of two recordings in this issue in which a living composer dialogues with Machaut, the first...

Reviewed by Fabrice Fitch in issue: 01/2016

Review of FELDMAN Rothko Chapel

FELDMAN Rothko Chapel

In all my years of reviewing Feldman performances, I’ve never heard one so catastrophically misconceived as Robert Simpson’s jazz-hands misreading...

Reviewed by Philip Clark in issue: 01/2016

 

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