Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
The most appealing thing about this disc is its title. Unfortunately that title conceals a misunderstanding. The consonance on display...
Reviewed by David Fanning in issue: 03/2016
Why review an album of Beatles songs in Gramophone? This magazine has some history with the Sixties band, having reviewed...
Reviewed by David Threasher in issue: 03/2016
Domenico Zipoli was born in Italy three years after Bach, dying at just 37 in Argentina. If he’s best remembered...
Reviewed by Harriet Smith in issue: 03/2016
In her poetic booklet-notes, Frederieke Saeijs emphasises her affinity with Ysaÿe’s unaccompanied Violin Sonatas. ‘I grew up in The Hague,...
Reviewed by Hannah Nepil in issue: 03/2016
Tchaikovsky’s opulent G major Sonata has all too often been seen as inflated and over-long. But in the right hands...
Reviewed by Bryce Morrison in issue: 03/2016
I didn’t manage to catch Vol 1 of Jan Vermeulen and Veerle Peeters’s Schubert duets series, nor have I heard...
Reviewed by David Threasher in issue: 03/2016
The sensitivity, tonal refinement and occasional micromanagement typifying Amir Katz’s Chopin Nocturnes, Ballades and Impromptus (Oehms) and Mendelssohn Songs Without...
Reviewed by Jed Distler in issue: 03/2016
Of all the ill-advised and inappropriate strategies to deploy when performing the solo piano music of Erik Satie, pretending that...
Reviewed by Philip Clark in issue: 03/2016
One of Sviatoslav Richter’s great attributes as a Rachmaninov player was his ability to pick and choose among the compositions,...
Reviewed by Patrick Rucker in issue: 03/2016
There has been a resurgence of interest in Antoine Mariotte of late thanks to the revival, in 2014, of his...
Reviewed by Tim Ashley in issue: 03/2016
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.