Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Call me a killjoy, but my pulse rate rarely quickens at the prospect of Mozart’s pre-pubescent music. The three childhood...
Reviewed by Richard Wigmore in issue: 05/2016
The line between poetry and preciousness is a thin one, and I don’t feel the Hagens reliably locate it here....
Reviewed by Richard Wigmore in issue: 05/2016
Beethoven is the obvious and fully acknowledged godparent to David Matthews’s string quartets, and it is to his influence that...
Reviewed by David Fanning in issue: 05/2016
With the exception of some of the big pièces de caractère of Marin Marais, the five suites for bass viol...
Reviewed by Julie Anne Sadie in issue: 05/2016
When, in 2004, John Zorn’s Tzadik label declared its new recording of Morton Feldman’s 1981 cello-and-piano work Patterns in a...
Reviewed by Philip Clark in issue: 05/2016
Who was Rebecca Clarke? You’d be forgiven for asking. Today she’s largely forgotten. In her own opinion her only ‘one...
Reviewed by Hannah Nepil in issue: 05/2016
When Max Bruch’s music was compared unfavourably to Brahms’s, he had his excuse ready: the pram in the hall. ‘I...
Reviewed by Richard Bratby in issue: 05/2016
Four years after their impressive debut release on Orfeo, the twin-sister piano duo Christina and Michelle Naughton begin a relationship...
Reviewed by Jed Distler in issue: 05/2016
Domenico Annibali (c1705-c1779) was employed at the Dresden court opera from 1730 until his retirement in 1764 – but from...
Reviewed by David Vickers in issue: 05/2016
Perhaps still more known as an early music and Lieder singer, Maximilian Schmitt has made a pertinent selection for his...
Reviewed by Mike Ashman in issue: 05/2016
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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