HINDEMITH Viola Sonatas
View record and artist detailsRecord and Artist Details
Composer or Director: Paul Hindemith
Genre:
Chamber
Label: MDG
Magazine Review Date: 07/2016
Media Format: CD or Download
Media Runtime: 69
Mastering:
DDD
Catalogue Number: MDG903 1952-6
Tracks:
Composition | Artist Credit |
---|---|
Sonata for Viola and Piano |
Paul Hindemith, Composer
Christian Euler, Viola Paul Hindemith, Composer Paul Rivinius, Piano |
Sonata for Viola |
Paul Hindemith, Composer
Christian Euler, Viola Paul Hindemith, Composer |
Author: Guy Rickards
Euler and pianist Paul Rivinius enter a rather more competitive field than did Enrique Santiago, Villa Musica’s viola player. True, Kashkashian’s and Imai’s superb recordings were available but since then we have had full surveys of the seven sonatas – three with piano, four without – by the likes of Cortese, Power and, best of all and most recently, Tabea Zimmermann, as well as some brilliant individual accounts from Hosprová and Sanzo. Any newcomer has to be special indeed to thrive in such a market.
Euler and Rivinius perform the first four sonatas, written between 1919 and 1922, and their strong accounts are not embarrassed by comparisons. Euler has a warm, rich tone not far from Cortese’s – as can be heard in the opening of Op 11 No 4 – but his playing has more steel than the American’s; his view of the unaccompanied sonatas is more compelling than Weber’s, akin to Hosprová’s. In Rivinius he has a fine partner in Op 11 No 4 and Op 25 No 4, no less supportive than Crawford-Phillips for Power or Hoppe for Zimmermann. If these new accounts do not displace the best (still Zimmermann’s, with Power’s a fine alternative), they are still recommendable. MDG’s sound is clear, the acoustic natural. Hopefully the later three sonatas (written between 1923 and 1939) will follow on in due course.
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