Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
The American comedian Tina Fey has a deadly one-liner about the Oscar-spattered film 12 Years a Slave. ‘What a great...
Reviewed by Neil Fisher in issue: 03/2016
No chauvinism here on the staging side. A British team of David Pountney and Robert Innes Hopkins contribute to the...
Reviewed by Mike Ashman in issue: 03/2016
How fascinating it is to have a first recording, and a very fine one at that, of what must be...
Reviewed by Richard Osborne in issue: 03/2016
The libretto of Handel’s penultimate opera Imeneo is based loosely on the legend of Hymen, the Greek god of marriage:...
Reviewed by David Vickers in issue: 03/2016
Described by an eyewitness in June 1718 as a ‘little opera’, the origins of Acis and Galatea as an outdoor...
Reviewed by David Vickers in issue: 03/2016
Past assessments of the pianist Eugene Istomin (1925-2003) have too often delivered the metaphorical verdict ‘always the bridesmaid, never the...
Reviewed by Rob Cowan in issue: 02/2016
At first glance one might think that the title of this disc heralds a selection of songs transcribed for cello....
Reviewed by Jeremy Nicholas in issue: 02/2016
The Habsburg Empire defeated the Ottoman Empire following the Siege of Vienna in 1683, ending the centuries of Muslim incursions...
Reviewed by David Threasher in issue: 02/2016
Among these piano trios’ defining features, optimism does not loom high. Smetana’s mourns his eldest daughter Bedřiška, who had just...
Reviewed by Hannah Nepil in issue: 02/2016
This is the second release on Alpha to celebrate the 70th birthday of Jos van Immerseel. The first was a...
Reviewed by Hugo Shirley in issue: 02/2016
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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